Images of Handicraft Items of Bhils Images of Warli Arts on Pots of Gonds
Landscape Paintings
Offering you a complete choice of products which include Warli Mural, Kerala Mural Painting, Kerala Landscape, Chittara Mural, Gond Mural and Par/Phad Mural.
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It is hard to believe that simply 150 km due north of the pulsating metro of Bombay, in Thane commune, reside most 300,000 Warli tribals. 'Warli' comes from 'warla', which means 'a slice of land or a field'.
On walls reddened with earth and cow dung, white stick figures throb with an exciting energy when Warli artists get to work. These monochrome compositions in fluid, rhythmic patterns instantly charm the viewer with their innate simplicity.
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Information technology is merely natural that this art form, deeply inspired by the Hindu scriptures should belong to Kerala, a land whose very geographic germination has its roots in mythology. Prove indicates that this fine art course flourished betwixt the 17th and 19th century and adorned the temple walls, including, the famous Guruvayur Temple in Trichur.
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- Item Code: P-KM0012
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It is only natural that this art form, deeply inspired past the Hindu scriptures should vest to Kerala, a state whose very geographic formation has its roots in mythology. Evidence indicates that this art grade flourished between the 17th and 19th century and adorned the temple walls, including, the famous Guruvayur Temple in Trichur.
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Nestled deep in the forests of the Western Ghats are the villages of Hasuvanthe and Manjina Kaanu in Shimoga Commune. These villages are cradles of the exquisite landscape art "Chittara", practised past members of the Deewaru community. Their pictures reflect of import aspects of life such equally agriculture, wedlock and festivals.
Bearing a close resemblance to Warli art, the Chittara tin can be distinguished by their elaborate geometric designs. They are generally painted in four naturally occurring colours: crimson, white, black or yellowish. White is from rice paste, black is burnt rice powder, cherry-red is from laterite soil and yellow is the colour extracted from the Surgie blossom, common to the region.
The "Theru Chittara" painting takes you to the temple chariot festival where devotees piously pull the chariot through the streets. The painting with the square shaped motif captures both the solemnity and festivity of marriage and the picture in triangular form symbolises a person seated cross-legged, deep in yogic meditation. The people'southward reverence for "Mother Globe" is as well established in paintings as they consider their lives inextricably woven with that of hers. Music is a constant companion of their fine art.
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- Item Code: M-CHI0011
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The Gond painting transports you to the seamless world of the imaginative and the surprising. Like most other tribal communities, the Gonds (loma people) are artistically gifted and possess phenomenal creative vision. Traditionally, their paintings on mud wall houses relied on shared symbols within a local customs context. More recently they accept taken to painting on sail or paper using new colours and new themes.
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- Item Lawmaking: Thou-GO0010
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Even at a distance, the Par (also Phad) is unmistakable. Its immodest hues of yellowish, blood-red, orange, grey and dark-green – harmoniously blend to create a regal masterpiece. The Pars are often dedicated to the valiant exploits of folk hero-gods - Pabuji or Devnarayan. Mythological deities and riders on caparisoned horses and elephants share the space with birds, animals, trees and flowers; articulating the splendour of the times their stories were set in.
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- Item Code: M-PH0010
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Its assuming images and colours, makes the Pata sparkle with distinctive free energy. Pata (or Pot) means "cloth" and the painters, commonly called "Patuas". This art form native to West Bengal consists of a sequence of paintings, like a storyboard or comic strip with no text.
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The Pattachitra, a popular folk art of Orissa breathes a sensual artistry with close attention to definition and detail. Dating as far back every bit the eighth century, "Patta" in Sanskrit ways "textile" and "Chitra" is "picture".
The painters or Chittrakars, are largely found in the commune of Puri, more than specifically the crafts village of Raghurajpur. Though the tradition of Pattachitra is closely linked with the worship of Lord Jagannath, stories from the Mahabharatha, Ramayan and of Radha and Krishna are too delicately woven into their artwork. The symbology for gods in Pattachitra'due south appear more than realistic – in terms of class, shape, accessories.
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Pithora art is highly ritualistic, painted on the walls of tribes like Rathwas and Bhils from Gujarat. Offered in gratitude or to bring peace, prosperity and happiness, the paintings hold great significance. The presence of their god – Pithora baba is extremely important and the Rathwa's spend generously on paintings portraying him.
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With no definite business relationship of its origins, information technology tin be surmised that the expressive Kalighat paintings were "born in the bazaars" of nineteenth century Calcutta. They served as sacred keepsakes for pilgrims who flocked to pay their tributes to the goddess Kali at the famous Kalighat temple. Hindu gods and goddesses were the early on themes of these paintings.
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- Particular Code: Grand-KA0010
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